Hannah Höch, Whitechapel Gallery

Two large collages bookend Hannah Höch’s career. First, the cumbersomely titled “Schnitt mit dem Küchenmesser Dada durch die letzte Weimarer Bierbauchkulturepoche Deutschlands” (“Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany”, not on show in this exhibition), a centrifugal spray of creation which made

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Robert Cohan: The Last Guru, book review

Paul R. W. Jackson: The Last Guru: Robert Cohan’s life in dance, from Martha Graham to London contemporary dance theatre With commentary by Robert Cohan 380pp. Dance Books. £20 (US $33.95). The dance world’s reach has always been tiny. Robert Cohan, the driving force in the understanding of contemporary dance

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Isabel Allende: Ripper, review

Isabel Allende, Ripper (Fourth Estate, £12.99, 478 pp.) Some literary writers have patronizing attitudes to genre. John Banville, who writes crime-fiction as Benjamin Black, has said he produces just 100 words a day as a literary novelist, but a couple of thousand as Black. Crime-writing is easy was his subtext.

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Royal Ballet, Jewels

It has been said that Mozart, so prodigiously talented so young, seemed to be merely a vessel through which God, or the music of the spheres, or whichever higher being one chooses, channelled the sounds of heaven. So, too, sometimes, does Balanchine appear to be a vessel through which music

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Saints of the Shadow Bible

Ian Rankin, Saints of the Shadow Bible (Orion, 428 pp.) The wait for Rebus’ return was not as long as Holmes’ from the Reichenbach Falls. Only a year after the Edinburgh detective ‘retired’, readers were reassured he would return, and he did, working cold cases. Now he’s back on the

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