“I think people marry far too much; it is such a lottery after all, and to a poor woman a very doubtful happiness.” So wrote Queen Victoria, and reading Kate Summerscale’s extraordinary dissection of a failed marriage, it is hard to argue. In 1850, Isabella Robinson, a bored and restless
Dickens’ 200th birthday, the ceremony at Westminster Abbey. (Live tweeting taking place under cover of the Order of Service, so as to be as unobtrusive as possible: all spelling/typos sic.)
Why? The question really needs to be asked. Why all the hoopla, the adaptations, reprints, books, comics, tweets, no doubt Facebook pages too. Did we do this for Thackeray last year? Will we do it for Wilkie Collins? Or even George Eliot? A deafening silence brings the answer. Dickens is,
The actor-biographer Simon Callow has played Dickens, and has created Dickensian characters, in monologues and in a solo bravura rendition of A Christmas Carol. Now he suggests that the theatricality of Dickens’s own life is a subject worthy of exploration in book form. So it is, and if Callow had
It can scarcely have escaped anyone’s attention that 2013 is the 200th anniversary of Dickens’ birth – anyone who has not been in a medically induced coma for the past months, that is. If you missed the last two biographies (one, by Michael Slater, jumping the gun in 2009, another,
Below is a leter from the group that fought to save the Cleveland Street Workhouse, the sole surviving 18th-century workhouse, and a probable model for the workhouse in Oliver Twist. The building was indeed listed, but now it looks like the University College Hospital Trust is hoping that weather and
Three thousand women turned out in London this weekend for a ‘Slutwalk’. This movement to assign responsibility for rape to its perpetrators, not to its victims, was triggered originally by a Canadian policeman, whose primary advice to women on how to avoid being raped was, ‘Don’t dress like sluts’. As
History is filled with stories that enthralled newspaper readers for weeks or months at a time, that were the currency of thought and speech for everyone and then suddenly vanished. Excavating these episodes—excavating the right episode—can bring to life a period, creating a microcosm for exploring attitudes and ideas of
English