Tag: reviews

Total 66 Posts

Richard Hamilton

Richard Hamilton was a relative unknown when in 1956 he produced the collage for which he is still, perhaps, most famous: “Just what is it that makes today’s homes so different, so appealing?” (The original is too fragile to travel, and a print version produced by the artist in 1992… Read more

Modernism and Dance

Susan Jones: Literature, Modernism and Dance (360pp. Oxford University Press. £55) In 1930s literary London, ballet was everywhere. Virginia Woolf, several Stracheys, the Bells, E. M. Forster, H. G. Wells, John Middleton Murry and Katherine Mansfield, Aldous Huxley, the Sitwells and T. S. Eliot all attended the Ballets Russes. Louis… Read more

Royal Ballet: Triple Bill

It is possible to see Gloria, Kenneth MacMillan’s howl of rage at the wanton waste of the First World War, as the final piece in a great arc of expressionist dance, from Vaslav Nijinsky’s Le Sacre du Printemps (1913), through Bronislava Nijinska’s Les Noces (1923), to Gloria (1980). The first… Read more

Hannah Höch, Whitechapel Gallery

Two large collages bookend Hannah Höch’s career. First, the cumbersomely titled “Schnitt mit dem Küchenmesser Dada durch die letzte Weimarer Bierbauchkulturepoche Deutschlands” (“Cut with the Dada Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany”, not on show in this exhibition), a centrifugal spray of creation which made… Read more

Robert Cohan: The Last Guru, book review

Paul R. W. Jackson: The Last Guru: Robert Cohan’s life in dance, from Martha Graham to London contemporary dance theatre With commentary by Robert Cohan 380pp. Dance Books. £20 (US $33.95). The dance world’s reach has always been tiny. Robert Cohan, the driving force in the understanding of contemporary dance… Read more

Isabel Allende: Ripper, review

Isabel Allende, Ripper (Fourth Estate, £12.99, 478 pp.) Some literary writers have patronizing attitudes to genre. John Banville, who writes crime-fiction as Benjamin Black, has said he produces just 100 words a day as a literary novelist, but a couple of thousand as Black. Crime-writing is easy was his subtext.… Read more
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