Tag: Journalism

Total 19 Posts

Lucy Moore: Nijinsky

Poor Nijinsky. Poor sad, mad, vanished Nijinsky. His career was astonishingly brief, the trail that was left in his meteoric wake so persistent it is hard to believe he danced for little more than seven years. He was born in 1889 or 1890, to Polish dancers working in Russia (Nijinsky

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Giselle, Mikhailovsky Ballet, London Coliseum

When the Bolshoi’s wunderkinder, Natalia Osipova and Ivan Vasiliev, suddenly left the company two years ago, the dance world played endless guessing-games as to where they would end up. It was like Claude Rains in Casablanca: round up the usual suspects. The last company anyone expected, however, was the Mikhailovsky,

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Whose review is it anyway?

Peter Gelb, the Metropolitan Opera’s general manager, has complained that Opera News, the US’s largest-circulation classical music magazine, has run negative reviews of Met productions. The magazine, supported financially by an affiliate of the Met, has therefore decided, rather than run nothing but puff-pieces, that it will, instead, not review

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Nights Out by Judith R Walkowitz

(published in the Telegraph 27 Mar 2012) The rise and rise of Soho, London’s darkly alluring twilight zone In her fiction, Virginia Woolf transformed Soho into a menacing urban space filled with “fierce” light and “raw” voices, even as she privately commended herself for driving a good bargain on some

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Sweeney Todd, Adelphi Theatre

Melodrama is not something we accept easily these days, tittering gently as the gore runs, moving restlessly in our seats as heroes or villains declaim to the gallery. So all the more odd, on the surface, that Sweeney Todd is the most popular of Stephen Sondheim’s musicals. On the surface.

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